Review: Larsen Magnacore G and C Strings

magnacoreNew strings! We string players are spoilt for choice these days with new brands popping up on a regular basis. As a rule I try not to get carried away with the need to try every string new to the market – no matter how tempting.  For the past five years or so I have settled with either Pirastro Evah Pirazzi Soloist, Larsen, or a combination of these. It so happened that the G from my most recent set of Pirazzis was not behaving very well – so much so I suspected I might have a seam crack. I took my cello (a Mittenwald instrument made C 1880, probably by Neuner and Hornsteiner) to my luthier for a check-up. The fingerboard needed shooting, but there were no cracks and the G string was still excessively volatile. We tried another Pirazzi and found it to be equally raspy; then tried an old Larsen and the buzz disappeared but the sound was rather dull compared with the brilliant, sparkling tone of the Pirazzi A, D and C strings.

For my session work I need a high performing set of strings with quick response and a big open sound right up to the highest register of each string. Normally the Pirazzi Soloist set delivers admirably on all fronts, but it seems the lower strings no longer suit my instrument. Whether it’s to do with slight changes they’ve made to the manufacturing process or a slight change in my instrument is anyone’s guess. I adore Larsen Soloist A and D, but find the G and C strings to be a little tame with a slower response than the Pirazzis. Enter the Magnacore G and C. Having read several user reviews, they certainly sounded like the strings to meet my requirements. Fingers firmly crossed as to whether they will agree with my cello.

Day 1

As expected and in line with every user review I’ve read, the strings are extremely metallic and volatile. I expect they’ll need a good 2 – 3 days of playing in to find their true voice. Listening past the ‘new string sound’, I can tell they are magnificently colourful, and should project very nicely indeed once the initial ‘zing’ has worn off.

Day 2

Still finding myself playing cautiously on the lower strings. After spending around 30 minutes playing exclusively on the G and C strings – scales and arpeggios with a variety of articulations, and exploiting the fullest possible range of each string – the metallic quality has diminished considerably and those wonderful colours I was looking forward to are really coming through. The strings still require frequent tuning, and the brashness hasn’t been tamed quite as much as I’d like.

Day 3

The tuning is still a little unstable (significantly flatter than the upper strings), but after a good half-hour warm-up I am doing my first recording session with them. I’m very happy with the results, especially the dynamic range on the new strings. I think they could still do with a few more hours’ playing in to realise their full potential. I’m also not convinced that the Pirazzi A and D strings make the best combination. Tomorrow I will be replacing the existing Pirazzis with new ones to see whether the overall balance is better.

Day 4

So it’s off with the 4 month old Pirazzi Soloist A and D, to be replaced with brand new ones. And what an incredible difference! My cello is now singing from top to bottom, and the strings compliment each other beautifully. After around 20 minutes playing in the Pirazzis I feel I have a robust, fully played in set with excellent projection, complex tonal qualities and a huge dynamic range. The Magnacore G and C are still a touch volatile, which I think has as much to do with my instrument as it does with the strings, but the G is much better balanced than the Pirazzi Soloist G was, and they lend themselves to just about any style and genre.

Conclusion

Overall, I love the Magnacores. As with all string manufacturers, Larsen had to decide whether to produce a string with no playing in time and a shorter playing life, or longer playing in time and a longer playing life. Thankfully they opted for the latter, and I certainly hope my strings last a good long while. Which brings me to my only gripe: the price. At a recommended retail price of £89.43 for the G string and £103.30 for the C string, they simply won’t be my regular lower string option – as much as I’d love them to be – unless the price comes by a good chunk. My rating: 4/5.

Here’s a recording I made with the Pirazzi/ Magnacore string combination on day 4:

 

 

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2012 in review

A huge thank you to all my readers. Wishing you all an exciting and musical 2013!

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

19,000 people fit into the new Barclays Center to see Jay-Z perform. This blog was viewed about 70,000 times in 2012. If it were a concert at the Barclays Center, it would take about 4 sold-out performances for that many people to see it.

Click here to see the complete report.

Tina Guo Performing Works by the Cullens

Last month one of my favourite cellists did me the enormous honour of recording a couple of compositions by my husband and me for fun. The cellist was none other than Tina Guo. For those who haven’t come across her, she is a multi-genre cellist and composer. With her effortless technique and intense musicality she is equally well established in the classical, film music and rock/ pop arenas. As a classical soloist Tina has performed with the San Diego Symphony, the State of Mexico National Symphony, the Thessaloniki State Symphony in Greece, the Bari Symphony in Italy, the Petrobras Symphony and the Barra Mansa Symphony in Brazil, and the Vancouver Island Symphony in British Columbia. In non-classical, crossover and media music settings she has performed in a solo capacity alongside Hans Zimmer for the premier of his Inception score, performed and recorded as a featured guest with the Jazz/Fusion Miles Evans Band, performed at the Grammy’s with the Foo Fighters, at the MTV Movie Awards, American Idol,  at Comic Con in San Diego featured on the electric cello in the Battlestar Galactica Orchestra, and with Brazilian guitarist Victor Biglione in a Jimi Hendrix Tribute Concert at the Copacabana Palace in Rio de Janiero. Tina is currently the featured soloist on the electric cello in Cirque Du Soleil’s Michael Jackson “The Immortal” World Tour, an international all-arena tour spanning from 2012-2014 and currently the highest grossing tour in North America.

The two pieces recorded were ‘Sakura’ and ‘Better Tomorrow’ – both for cello and piano. Since Tina is currently on tour and living in hotels, she has a very basic (but effective) recording set-up, and her ‘practice cello’ – a student instrument which can be thrown about in the gear truck. Without access to a piano or pianist, I sent her my piano tracks from the original recordings. In spite of the technical limitations, the results are pretty magnificent!

Purchase sheet music for 'Sakura'

Purchase sheet music for 'Better Tomorrow'

Pairing Positions: Fourth and Seventh

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Pairing Positions: Third and Sixth

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Pairing Positions: Second and Fifth

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Pairing Positions: First and Fourth

This blog and its content is copyright of D C Cello Studio
© D C Cello Studio 2011 – 2014.
All rights reserved.

If you found these exercises helpful, please consider making a donation.